Photo of Alejandro Agresti

Alejandro Agresti

“No hago cine para liberarme, sino para meter la cabeza, para atreverme a hurgar algunas cosas.”

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    MARTÍN REJTMAN Argentina, 1992

    Martín Rejtman’s debut is today regarded as the film that launched the New Argentine Cinema, and prefigures his trademark style of comedies imbued with a languid melancholy and hilariously deadpan humor. Presented in its recent restoration, this now-cult film is always ripe for (re)discovery.

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