A timeless, minimalist deadpan comedy, this is a young woman’s deliciously eccentric quest for sense of self in a world of doppelgängers, with an unforgettable performance from Rosario Bléfari. Committed to hilarity in all forms, Martín Rejtman’s cinema conjures humor and warmth in equal measure.

Fuelled by a top-form ensemble cast, The Magic Gloves is one of Argentine auteur Martín Rejtman’s funniest films. This clever, humorous take on the mid-30s crisis is another trademark mix of absurdist charm and endearing warmth. A unique view of Buenos Aires full of lively, strange characters.

Martín Rejtman’s debut is today regarded as the film that launched the New Argentine Cinema, and prefigures his trademark style of comedies imbued with a languid melancholy and hilariously deadpan humor. Presented in its recent restoration, this now-cult film is always ripe for (re)discovery.

A master of deadpan comedy, Argentinian filmmaker Martín Rejtman bookends his luminous short with a mouth-watering feast of Jewish delicacies. Condensing all the fine irony, absurdist humour, and unassuming warmth that defines his work into only 19 minutes, Shakti is a delightful minimalist gem.

Featuring interviews with Hirokazu Kore-eda, Hou Hsiao-hsien, Wang Bing, Kiyoshi Kurosawa, and Jia Zhangke, this documentary portrait provides a thorough perspective on the landmark New Taiwanese Cinema. An essential document of one of 20th century cinema’s most significant chapters.