Photo of Kyôko Koizumi

Kyôko Koizumi

Kyôko Koizumi

“原宿は私にとって、一人の人間としてのスタートがある街なんです。ここに来ると、何も持っていなかったころの自分を忘れないでいられるっていうのかな。”

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    Penance: Episode 1 - The French Doll

    PENANCE: EPISODE 1 - THE FRENCH DOLL

    KIYOSHI KUROSAWA Japan, 2012

    Japanese master of the macabre Kiyoshi Kurosawa brings his incantatory gift for creeping dread to the small screen with this sinuous miniseries. An eerie, pungently atmospheric interrogation of historical trauma, Penance is a devastating psychological thriller that ratchets up tension from the jump.

    Penance: Episode 5 - Atonement

    PENANCE: EPISODE 5 - ATONEMENT

    KIYOSHI KUROSAWA Japan, 2012

    With the stories of the witnesses told, it’s time for vengeful matriarch Asako to take the spotlight in this chilling concluding episode. As Yusuki Hayashi’s haunting score swells, long-buried truths are forced into the open, and Kiyoshi Kurosawa reveals the unthinkable cost of emotional closure.

    Penance: Episode 2 - Emergency PTA Meeting

    PENANCE: EPISODE 2 - EMERGENCY PTA MEETING

    KIYOSHI KUROSAWA Japan, 2012

    The specter of male violence hangs heavy over this second episode, which zeroes in on another of the young witnesses to the terrible inciting incident. For Maki, fifteen years of guilt and shame have curdled into repressed rage, which soon explodes in a morally questionable bid for redemption.

    Penance: Episode 3 - Brother and Sister Bear

    PENANCE: EPISODE 3 - BROTHER AND SISTER BEAR

    KIYOSHI KUROSAWA Japan, 2012

    Dark family secrets come to the fore in Episode 3, the most powerful yet of Penance’s purgatorial ruminations on pent-up grief. With a fierce lead in Sakura Ando (Shoplifters), Brother and Sister Bear is a heartbreaking examination of psychological palliation in the face of irremediable anguish.

    Penance: Episode 4 - Ten Months Ten Days

    PENANCE: EPISODE 4 - TEN MONTHS TEN DAYS

    KIYOSHI KUROSAWA Japan, 2012

    Penance takes a mordantly playful turn with Episode 4, in which sibling rivalry is taken to vindictive extremes. Stringing a tightrope between comedy and tragedy, Kurosawa shows off his tonal dexterity with a wickedly funny change of pace from the preceding explorations of bottled-up gloom.

Narrator

Self