From controversial director Lars von Trier comes the first entry in his Golden Heart trilogy, which was followed by The Idiots and the Palme d’Or winning Dancer in the Dark. Starring Emily Watson in an uncompromising performance, Breaking the Waves remains one of Von Trier’s finest achievements.
Gaspar Noé’s Tokyo-set audiovisual experience is stunning and scandalous—a hallucinatory techno trip exemplary of Noé’s brand of divisive filmmaking. An intoxicating first-person crawl through the city by night, Enter the Void is sensational cinema at its most phenomenal and visceral.
This early triumph by Lars von Trier, which won no less than three prizes at Cannes, is one of his most bizarre yet accessible works: a feverish retooling of film noir, an unhinged thriller, and a visually mind-blowing odyssey into a nightmare of our past.
Director Lars von Trier’s magnum opus, The Kingdom is a TV phenomenon three decades in the making. A compulsively entertaining supernatural mystery, this incomparable blend of workplace comedy, potent melodrama, and nail-biting ghost story pitches science against superstition in unholy conflict.
Another of Mandico’s chimerical cinematic offerings, Living Still Life echoes the strange rhythms and internal logic of dreams. Stop-motion animation and up-close, visceral shots of animals bring to life a world in decay, as we chase down the rabbit hole a woman driven by strange pursuits.
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