Photo of Thomas Vinterberg

Thomas Vinterberg

“The Dogma Manifesto was a wonderful opportunity to be a team, to unite the country’s filmmakers. But we’ve all sought out other paths, we distanced ourselves from a movement that was becoming a brand, and would have ended up limiting our creativity.”

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    Festen

    FESTEN

    THOMAS VINTERBERG Denmark, 1998

    Arguably portraying one of cinema’s most messed-up families ever, Festen is considered the first film made under the rules of the radical Dogme 95 movement. Thomas Vinterberg’s madcap time-bomb of latent secrets and repressed grudges makes any family dinner seem like a piece of cake.

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