From controversial director Lars von Trier comes the first entry in his Golden Heart trilogy, which was followed by The Idiots and the Palme d’Or winning Dancer in the Dark. Starring Emily Watson in an uncompromising performance, Breaking the Waves remains one of Von Trier’s finest achievements.
This early triumph by Lars von Trier, which won no less than three prizes at Cannes, is one of his most bizarre yet accessible works: a feverish retooling of film noir, an unhinged thriller, and a visually mind-blowing odyssey into a nightmare of our past.
Director Lars von Trier’s magnum opus, The Kingdom is a TV phenomenon three decades in the making. A compulsively entertaining supernatural mystery, this incomparable blend of workplace comedy, potent melodrama, and nail-biting ghost story pitches science against superstition in unholy conflict.
A fascination with the extreme is written across all of Lars von Trier’s works, beginning with this mesmeric investigation of criminal minds. Captured in burnt sepia tones expressive of photographic fragments or uncertain memories, the ashen film is also evocative of a changing—crumbling?—Europe.
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