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Notebook Feature

2023 Essential Reads

Highlights of the year's film criticism on Notebook, including features, interviews, festival coverage, and more.
Notebook
•
27 Dec 2023

Essential Reads

As an end-of-year gift to our writers and readers, we've compiled a user-friendly overview of our publishing highlights from 2023. The collection is broken down by category: essays, interviews, festival coverage, and recurring columns.

Browse at your leisure, and raise a glass to our brilliant contributors!

Meanwhile, you can catch up with all of our end-of-year coverage here.

ESSAYS

Contemporary Cinema:

  • Cinema as Sacrament: The Limitations of Killers of the Flower Moon by Adam Piron
  • A Change of Season: Trần Anh Hùng and Frederick Wiseman's Culinary Cinema by Phuong Le
  • Walking, Talking, & Hurting Feelings: Nicole Holofcener's Everyday Dramas by Rafaela Bassili
  • The Limits of Control: Lines of Power in Todd Field's Tár by Helen Charman
  • The Art of Losing: Joanna Hogg's Haunted Houses by Laura Staab
  • Treading Water: Avatar: The Way of Water by Evan Calder Williams
  • The African Accent and the Colonial Ear by Maxine Sibihwana
  • Ten Minutes, but a Few Meters Longer: Mia Hansen-Løve's Memories in Locations by A.E. Hunt
  • A Time for Change: The Radical Calm of Unrest by Corey Atad
  • Hashtag History: The Missteps of Young-Adult Holocaust Films by Dan Schindel
  • Memories of Murder: Holy Spider and Serial Killer Cinema by Kelli Weston
  • How Animation Lives: Hayao Miyazaki's The Boy and the Heron by Jennifer Lynde Barker
  • Foreign Enough? Eastern Europe as a Lawless Land by Savina Petkova
  • Method to the Madness: Medusa Deluxe and the Power of the Follow Shot by Juan Barquin
  • While We Filmed: Behind the Daring Spirit of Indian Documentaries by Poulomi Das
  • Close and Personal: Melodrama and Male Friendship in Close and The Eight Mountains by Eileen G'Sell
  • Scarred States: Unclenching the Fists and the Art of Escape by Carmen Gray

Repertory Topics:

  • The Beauties and the Beasts of Yasuzo Masumura by Jessica Kiang
  • Missing Links: The Silences of Chantal Akerman by Brandon Kaufman
  • An Angel Has Fallen: Kenneth Anger (1927 – 2023) by Celluloid Liberation Front
  • All Too Real: The Films of Shinji Sômai by Patrick Preziosi
  • Re-Vision: Robert Beavers and The Sparrow Dream by Genevieve Yue
  • Raúl Ruiz: Into the Multiverse by Leonardo Goi
  • The Cruel Passage: Palestine in Exile in The Dupes by Sanoja Bhaumik
  • Restoring Llévame en tus brazos, A Lost Masterwork by Christopher Small
  • An Oral History of the Making of Party Girl by The Deuce Notebook
  • Basic Instinct: Getting Lost in Joe Dante's The Movie Orgy by Frank Falisi
  • So Close to Real: Tsui Hark's Knock Off at 25 by Jonah Jeng
  • Joyce Chopra: Memories of a Trailblazer by Kat Sachs
  • Finding Home in Ah Ying: A Special View of 1980s Hong Kong by Koel Chu
  • The Act of Reading with One's Own Eyes: Fred Camper's Seeking Brakhage by Paul Attard
  • Monsieur Hulot's Two Holidays: Comparing Different Cuts of Jacques Tati's Classic by Jonathan Mackris
  • Of Beast and Man: Ana Vaz’s Ecological Dreamscapes by Ela Bittencourt
  • Death Race Calcutta: Ruchir Joshi’s Essay Films by Andrew Northrop
  • I'll Be Your Mirror: The Living Cinema of Nan Goldin by Rachel Pronger

Zero Fucks Given

Screen and Public Personas:

  • Adèle Exarchopoulos by Shonni Enelow
  • Michael Cera by Nicolas Pedrero-Setzer
  • Rebecca Hall by Philippa Snow
  • Mink Stole by Kayleigh Donaldson
  • Matt Damon by Christina Newland
  • Jean-Pierre Melville and the Art of the Interview by Charlotte Palmer

Visual Art, Television, New Media:

  • Perfect Illusion: The Cinema of Artificial Intelligence by Kim Hew-Low
  • Keep the Swarm Primed: Terence Nance's First Gallery Show by Bedatri D. Choudhury
  • Who’s Afraid of a Woman in Peril?: Revamping the Lifetime Movie with Doug Campbell by Ryan Coleman
  • Everything Happens So Much: Soda Jerk and the Age of Appropriation by Lauren Carroll Harris
  • Antichrist in Hollywood: William Mortensen's Photography of the Grotesque by Z. W. Lewis
  • The Riddle of Lumen: Lynch's Lamps by Genevieve Yue

Writings by Filmmakers:

  • The Abyss: Seeking Permission Through Onscreen Humiliation by Kit Zauhar
  • Letter to a Young Filmmaker by Ira Sachs

  • Histoire(s) du cinéma: Letters to Jean-Luc Godard: Seven reflections on Godard's memory from Ephraim Asili, Richard Brody, A.S. Hamrah, Rachel Kushner, Miguel Marías, Andréa Picard, and Lucía Salas

INTERVIEWS

Select highlights in alphabetical order:

  • Joanna Arnow in conversation with Christina Newland
  • Catherine Breillat in conversation with Caitlin Quinlan
  • Davy Chou in conversation with Elissa Suh
  • Souleymane Cissé in conversation with Yasmina Price
  • Pedro Costa in conversation with Christopher Small
  • Lav Diaz in conversation with Lukasz Mankowski
  • Ja'Tovia Gary in conversation with Ruun Nuur
  • Dustin Guy Defa and Hannah Gross in conversation with Jordan Cronk
  • Daniel Goldhaber in conversation with Saffron Maeve
  • Todd Haynes in conversation with Nicolas Rapold
  • Radu Jude in conversation with Dora Leu and Öykü Sofuoğlu
  • Kevin B. Lee in conversation with Arta Barzanji
  • Daisuke Miyazaki in conversation with A.E. Hunt
  • Park Chan-wook in conversation with Hans Ulrich Obrist
  • Christian Petzold in conversation with Luise Mörke and Tobias Rosen
  • Jennifer Reeder in conversation with Sophia Satchell-Baeza
  • Michael Roemer in conversation with Brandon Kaufman
  • Thelma Schoonmaker in conversation with Matthew Thrift
  • Claire Simon in conversation with Ela Bittencourt
  • Eduardo Williams in conversation with Matt Turner

FESTIVAL COVERAGE

Features:

  • Split Together: Weathering the Storm at the Camden International Film Festival by A.E. Hunt
  • Sundance New Frontier Roundtable by Jordan Cronk: Directors Deborah Stratman, Fox Maxy, Mary Helena Clark, and Mike Gibisser discuss their boundary-pushing new films, as well as the experimental filmmaking ecosystem.
  • Liberated: Women's Pictures and Feminist Films at Il Cinema Ritrovato by Imogen Sara Smith
  • <--->: A Quick Pan Across TIFF's Wavelengths by Michael Sicinski
  • Locarno: At World's End by Jessica Kiang
  • The Cemetery of Cinema: Berlinale Forum Expanded by Sophia Satchell-Baeza
  • Breathing Room: Sundance Narratives by Matthew Eng
  • Outsider Art at International Film Festival Rotterdam by Matt Turner

Dispatches:

  • Cannes by Lawrence Garcia, Leonardo Goi, and Daniel Kasman
  • Toronto by Daniel Kasman and Chloe Lizotte
  • Venice by Leonardo Goi and Matthew Thrift

THE CURRENT DEBATE

The Current Debate is a column by Leonardo Goi that connects the dots between great writing about a topic in the wider film conversation. These four pieces elegantly frame new releases as flash points for wider film-industry trends.

  • Killers of the Flower Moon and the Pain of Perspective: Scorsese’s epic about the Osage murders challenges our art-deadening debates about who is and isn’t allowed to tell whose story.
  • Toward a New Blockbuster? On Nolan’s Oppenheimer: At once monumental and intimate, does Nolan’s latest epic challenge the “summer tentpole” framing of its marketing?
  • The Cornball Sincerity of Avatar: The Way of Water: James Cameron’s return to Pandora flaunts his gifts as an image-maker as well as his weaknesses as a storyteller.
  • Oscars 2023: Retread or Revolution?: In an edition marred by campaign controversies, what does the Daniels’ astonishing triumph mean for the Academy and the industry at large?

CUTSCENES

Cutscenes is a column written by Notebook assistant print editor Matt Turner that explores—and blurs—the intersection of cinema and video games.

  • Angela Washko's Critical Interventions: Whether she’s dueling pickup artists or using The Sims as a sandpit, Washko's new-media art looks courageously into dark areas of the internet.
  • “Gotta Go Fast!” Speedrunning Awesome Games Done Quick 2023: On the cinematic allure of livestreams of world-record-shattering gameplay.

PRIMERS

The Notebook Primer introduces readers to some of the most important figures, films, genres, and movements in film history. Here are a few sterling deep dives from this year:

  • Jim Jarmusch by Vikram Murthi
  • Dean Martin and Jerry Lewis by Ciara Moloney
  • British Erotica by Georgina Guthrie

MOVIE POSTER OF THE WEEK

Finally, a few eye-catching highlights from Adrian Curry's column about the artistry of movie posters.

  • The Title Treatment Hall of Fame: Curry collects his favorite title lettering.
  • The Film Posters of Cruz Novillo: More than thirty years of movie posters from a titan of Spanish graphic design.
  • The Film Posters of Mihajlo Arsovski: A remarkable series of 1960s Yugoslavian silkscreen posters for American westerns from one of Croatia’s preeminent graphic designers.
  • Heinz Edelmann and the "Grosses Kino" Exhibition: Curry selects one poster from among 5,000 to be included in a Berlin exhibition.

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