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Jane Schoenbrun returns with a new kind of remake, carving up slasher conventions with surreal, campy abandon. Newly-minted scream queens Hannah Einbinder and Gillian Anderson are a revelatory pairing, bringing wit, deep feeling, and sultry eroticism to this visionary dissection of movie nostalgia.

With sharp wit and cathartic intensity, Coralie Fargeat turns toxic beauty culture inside out in her Oscar®-winning latest feature. Powered by a career-best performance from Demi Moore, The Substance fearlessly bulldozes its way into the midnight-movie pantheon and the feminist canon.

Oedipus wrecks in this vigorous domestic provocation from director Karim Aïnouz and Dogtooth screenwriter Efthimis Filippou. With an all-star cast that includes Elle Fanning, Callum Turner, and Riley Keough, Rosebush Pruning is a wickedly cutthroat satire of class, fashion, and privilege.

Take a tumble down the rabbit holes of internet culture with this uncanny coming-of-age tale from director Jane Schoenbrun. Skirting the boundaries of horror, We’re All Going to the World’s Fair is a nerve-shredding fever dream of collective psychosis from the dark heart of the online zeitgeist.

Love and obsession are two sides of the same coin in this daring thriller from The Bear writer-producer Alex Russell, featuring rising stars Archie Madekwe and Théodore Pellerin. In a glitzy LA ruled by social currency, Lurker luxuriates in the suspense and the dark irony of celebrity worship.

Refracting primetime soap operas and cop shows into a one-of-a-kind cosmic melodrama, showrunners Mark Frost and David Lynch captured lightning in a bottle. Cloaking its dark secrets in a down-home slice of winsome Americana, Twin Peaks is the pop-cultural juggernaut that captivated a generation.

An Oscar®-nominated marvel of exquisite empathy, Magnus von Horn’s masterful vision of early 20th-century Denmark searches for tenderness and morality under fraught circumstances. Drawing on chilling true events that continue to resonate, this gothic parable is a visceral reckoning from the past.

Textured with russet reds and pollinic yellows, Athina Rachel Tsangari’s spellbinding allegory gleans an atmospheric folk tale from a rural idyll. As landowners sow the seeds of modern capital, Sean Price Williams reaps horror and beauty from the earth with swirling, immersive cinematography.