Building primarily on impeccable performances and with an astute sense of irreconcilable conflicts between duties and between duties and love, this is certainly a powerful homage to neorealism. Whilst the closed milieu is not without semantic valence, its lack of a genuinely cinematic aesthetics, cannot lift this emotionally charged film beyond a commanding social drama as it undoubtetdly is. Recommended.
A story primarily about humans being utterly human, developed and written with breathtaking dexterity. Cinematically, I've got to say I didn't love it, and the characters weren't, to me, personally relatable, and it's definitely not my favourite sort of film... Still, that hardly mattered, while I was watching. Compelling. Undeniably strong. 3.75.
This film comes to show that all you need is a good direction and screenplay to make a movie that, with very little, keeps you transfixed, just staring at the screen, completely involved in the characters lives. This screenplay is insanely good, one of the best I've seen in years.
A Separation is a masterpiece & one of the best films I've seen from Iran. An emotionally brutal work that isn't afraid to critique the patriarchal institutions that oppress the Iranian people as well as showing how that oppression manifests in them; resulting in our characters actively acting out against each other to save face in front of these social & societal systems. Asghar Farhadi is a very brave filmmaker.
Farhadi weaves every little detail and nuance of the story into his cinematic tapestry with effortless elegance, only to the extent needed to get his point across, and succeeds beautifully. Real life and real characters with their unexaggerated tensions and foibles are at the core of this richly subtle exploration of family relations in a repressive society undergoing a gradual political and cultural shift.
This is a unique and complex Iranian film that portrays the growing strength of women as they exceed men as graduates and become a powerful force in the employment market. Asghar Farhadi exposes the inevitable faultlines of family burdens, an angry outsider and the fractious politics of the religious order and more freedom for women.