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3.6
1,900 Ratings

Get Out

Directed by Jordan Peele
United States, 2017
Horror, Thriller

Synopsis

A young African American man visits his Caucasian girlfriend’s cursed family estate.

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Get Out Directed by Jordan Peele

Awards & Festivals

Gotham Awards

2017 | 4 nominations including: Best Feature

What are people saying?

  • Duncan Gray's rating of the film Get Out

    The great coup of the first act is that it turns the welcoming smiles of upper-middle-class white liberals into something creepy—and I say that as one of them. From there, it builds to the horror movie sweet spot where the end has license to go insane without betraying the beginning. It is a thoughtful, political flick about being afraid of losing yourself—but Peele knows the secret is a mischievous sense of humor.

  • Howard Orr's rating of the film Get Out

    What would sixties figures like Frankenheimer, whose "Seconds" this is reminiscent of, in its glassy classicism, pre-programmed antagonists and lone hero, made of a future that draws it's racial faultlines so markedly? Yet "Get out", in it's anger, dead-eyed pathological characters (plus its exceptional lead performance) seems like a call back to an even rawer time than the boomers could have envisaged. 2.5*

  • MATTEO BITTANTI's rating of the film Get Out

    The ending is disappointing and the expository scenes are both didactic and pedestrian, but the first half works ruthlessly well. Get Out would have worked better as a short, rather than a 100 minute long pseudo-remake of The Stepford Wives with a racial rather than feminist overtext. Brace yourself for the inevitable Netflix produced, TV spin-off à la Dear White People. The cow must be milked hard.

  • André Vieira's rating of the film Get Out

    3,6. I really liked Jordan's approach to this subject (racial discrimination) because it feels fresh and unique. The movie mixes a lot of different genres and has moments of pure brilliance (like the opening scene) but final act is a bit of a letdown to all that crazy and creative build-up.

  • Sean Patrick Stevens's rating of the film Get Out

    This was a more clever and self-aware movie than the marketing seemed to describe in the trailer which made me think it was gonna coast on the high concept premise. Fortunately, it did a great job of playing with expectations and made it much more than a message movie.

  • José Neves's rating of the film Get Out

    Digital. Synthesizes the constituent elements of a society by adapting the premises of a social criticism to a scientific parody - in fact, a little less dazzle with itself and we would be faced with a decisive inventory of the possibilities of the ruling classes' horror. Either way, capitalism allows it and neo-colonialism suggests it. Fun - the capitalists have taken over the asylum.

  • chanandre's rating of the film Get Out

    The insidiousness of prejudice, ethnic despise and contempt and a thought-provoking somewhere between soem of the best meta horror films of the 10s 'under the skin' and 'it follows' (and many a Lynch flicks) come to mind. i went back and forth with my rating. Still being haunted by this.

  • Michael Zyx MH Claes's rating of the film Get Out

    Starting with the same idea than GUESS WHO'S COMING TO DINNER (1967), here's 50 years later a new story on the racial issue. More noise, more suspense, a thrilling music, some gore, heaviness & less cinema. == Partant de la même situation que DEVINE QUI VIENT DINER? (1967) voici 50 ans + tard 1 autre illustration du racisme. Plus de bruit, de suspense, de musique stressante, de gore & de lourdeur. Et moins de cinéma.