The sum of this effect, that the mechanization of thought manifests from the work itself, becomes entrancing. It's this ostensibly paradoxical structure, contrived narrative interspersed with observational documentary, that distinguishes Côté as a filmmaker, and Joy of Man's Desiring, as a more heady examination of the toll of this unavoidably classist work-to-live lifestyle.
John Oursler
January 14, 2015