Compared to [John] Woo, Kitano is brutally laconic. In Outrage Coda, except for one Wooish slow-mo massacre, violence is brusque, shocking, and over fast. In a film full of bland pans following yakuza cars here and there, the end of one panning movement bursts into shooting before you realize it’s happening, and it ends just as suddenly. Kitano likes his confrontations, for sure, and sometimes there’s a buildup, but mostly the blood just erupts, punctuating long scenes of gangster intrigue.
September 12, 2017