
Jane Schoenbrun returns with a new kind of remake, carving up slasher conventions with surreal, campy abandon. Newly-minted scream queens Hannah Einbinder and Gillian Anderson are a revelatory pairing, bringing wit, deep feeling, and sultry eroticism to this visionary dissection of movie nostalgia.

Writer-director Carmen Emmi handcuffs obsession to power in this confident debut set in ‘90s New York, detecting erotic fixations in homophobic policing. With one furtive eye on William Friedkin’s cult classic Cruising, Plainclothes searches fuzzy videotape surveillance footage for forbidden desire.

A heartfelt exploration of queerness wrapped in unexpectedly furry packaging, this beguiling metacinematic animation is a work of profound imagination and sincerity. Designing its chimerical world with stunning precision, Bouchra bridges the gap between the surreal and the hyperreal.

Cementing his status as a seminal voice in British filmmaking, the multi-hyphenate Mark Jenkin crafts another salt-sprayed, hand-cranked vision of haunted Cornish tides. Merging the ghost story with time-warp sci-fi, this eerie mood piece navigates troubled seas of national nostalgia and decline.

Take a tumble down the rabbit holes of internet culture with this uncanny coming-of-age tale from director Jane Schoenbrun. Skirting the boundaries of horror, We’re All Going to the World’s Fair is a nerve-shredding fever dream of collective psychosis from the dark heart of the online zeitgeist.

Paul Mescal and Josh O’Connor star in this nostalgic, aching romance, lifting a profound story of yearning in exquisitely tender performances. Interweaving timeless folk tunes with sumptuous, autumnal images, director Oliver Hermanus chronicles a love whose reverberations are felt for a lifetime.

The struggles of identity are mirrored between mother and child in this tender Basque drama, which radiates the heat of the summer sun and shifts with the pliability of beeswax. A revelatory Sofía Otero won Berlinale’s Silver Bear for her turn as a trans child making sense of the world around them.

With sharp wit and cathartic intensity, Coralie Fargeat turns toxic beauty culture inside out in her Oscar®-winning latest feature. Powered by a career-best performance from Demi Moore, The Substance fearlessly bulldozes its way into the midnight-movie pantheon and the feminist canon.
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