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Column

Foreplays #20: Straub-Huillet’s “Machorka-Muff”

The “well-oiled machine of Nazism is unstoppable” in this dense, fast-moving adaptation of a Heinrich Böll short story.
Festival

Cannes 2019. ACID Lineup

The lineup for the 2019 Cannes ACID has been announced.
News

Cannes 2019. Directors’ Fortnight Lineup

The lineup for the 2019 Directors’ Fortnight (Quinzaine des Réalisateurs) at Cannes has been announced.
Festival

Art of the Real 2019

Highlights from the Film Society of Lincoln Center’s annual festival for new kinds of documentaries.
Interview

Nothing’s Safe: An Interview with John Maringouin

The director of “Ghostbox Cowboy” discusses making a fictional feature, guerrilla-style, set in the world of Chinese manufacturing.
Feature

“Ghostbox Cowboy”: The Conquistador as Guest Worker

John Maringouin’s first fiction film was shot unauthorized and guerrilla-style in China to tell the story of an American techno-huckster.
News

Cannes 2019. Critics’ Week Lineup

The lineup for the 2019 Cannes Critics’ Week (La Semaine de la Critique) has been announced.
Feature

Battles on Earth and in Heaven

The films of Mexican director Carlos Reygadas present an uncompromising vision of human folly through bold and provocative cinematic form.
Interview

Bastard Child of Paul Verhoeven and Axl Rose: Alex Ross Perry and “Her Smell”

The American filmmaker discusses his ambitious new film, a portrait of a self-destructive 1990s rock star played by Elisabeth Moss.
Column

Video Sundays: South Korea’s First Woman Filmmaker, Park Nam-ok

Recommended viewing: “The Widow,” the first and last feature by South Korea’s first woman filmmaker, Park Nam-ok.
Feature

Nearer My Hong Sang-soo To Me

Discovering the South Korean director of “Hotel by the River” and “Grass” as a bingeably prolific and movingly personal filmmaker.
Feature

“It’s Tough To Be a Woman”: Close-Up on Sylvia Chang’s “Love Education”

Three generations of women collide in Sylvia Chang’s engrossing drama of love at different stages in life.