'[Vecdi Sayar's interview] Eğilmez says that he tried to use the theatre-in-the-round in Süt Kardeşler. Eğilmez wanted to use the methods of the pre-cinema period in Turkey and also use the characteristic narration of that period as well. So he used the structural features of this tradition directly within his own narration that has the characteristics of his own iconography, like characters, spaces and storytelling methods.'