ALLA BELLA SERAFINA PIACEVA FAR L'AMORE SERA E MATTINA
NELLY KAPLAN Francia, 1969
For her scandalous directorial debut, Nelly Kaplan waged a battle against the patriarchy—and French censors!—with her anarchic heroine, envisioned as a modern-day witch. Toppling provincial hypocrisies with glee, Bernadette Lafont’s defiant outcast reclaims her autonomy by weaponizing her sexuality.