Foto di Pedro Almodóvar
Foto di Pedro Almodóvar

Pedro Almodóvar

“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”

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    VOLVER - TORNARE

    PEDRO ALMODÓVAR Spagna, 2006

    Fronted by a divine Penélope Cruz alongside an ensemble cast of Almodóvar regulars like Carmen Maura and Lola Dueñas, Volver is a vibrant generational melodrama about Spanish womanhood and resilience. Almodóvar explores how the ghosts of our past come to haunt us and what we can do to atone.

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    DONNE SULL'ORLO DI UNA CRISI DI NERVI

    PEDRO ALMODÓVAR Spagna, 1988

    And we reach peak Almodóvar! Alive with a wild pace and an irresistible rhythm, this witty classic redefined screwball comedy for a new era of arthouse pleasure. The insanity of love and sex had never been so fun nor colourful—and as for Pedro, he was forever thrust into the international spotlight.

    LA LEGGE DEL DESIDERIO

    PEDRO ALMODÓVAR Spagna, 1987

    One of Almodóvar’s personal favourites, this early great shares a kinship with his 2019 film Pain & Glory, not only in Antonio Banderas’ unforgettable turn but also its explorations of lust and fiction. A baroque melodrama celebrating new family models, Law of Desire feels more pertinent than ever.

    CARNE TREMULA

    PEDRO ALMODÓVAR Spagna, 1997

    More Pedro! Live Flesh finds the Spanish maestro of kink once again defying categorization with this emotionally mature, eye-poppingly colourful web of desires and dramatic twists. An unlikely adaptation of British crime writer Ruth Rendell’s book, with Javier Bardem and a pre-fame Penelope Cruz.

    TACCHI A SPILLO

    PEDRO ALMODÓVAR Spagna, 1991

    With its bright, rigorous visuals and lip-synced musical numbers, High Heels finds Almodóvar at his most fabulously freewheeling. A labyrinthine comedy about a mother, a daughter, and a corpse, it’s the most explicit nod to the women’s pictures of Douglas Sirk in the Spanish auteur’s career to date.

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