The ensuing blaze of technique—fast zooms, vivid color dissolves, whip pans, shock sound effects, high diagonal angles, filters, upside-down camera shots, sequences in negative format—gives to Cape Fear a retro, carnivalesque quality that feels more like the Amicus/Hammer horror films Freddie Francis himself once directed (Paranoiac, Torture Garden) than a contemporary American thriller.
Julien Allen
ottobre 10, 2014