Recensioni de* critic*

Neveldine and Taylor’s style is hyperactive, overloaded with hectic violence, sleaze, and saturation effects—though, unlike most of the other rabid cutters of the time, they actually know how to frame a shot.

Not long into Gamer, there's a moment in which a group of men on roller-skates have a water pistol fight... As they skate, the insanely garish colours of their clothes are hurled violently across the screen. This scene (which, by the way, plays out in a single shot that lasts a few seconds), encapsulates the hyper-active artistic sensibility of Neveldine/Taylor.

[Gamer's] more radical ideas have to do with form: as with the "Crank" films, Neveldine/Taylor's aesthetic approach is scattershot to the point of avant-garde, their cameras (operated by the directors themselves) less concerned with clarity and coverage than in piecing together extraordinary shots.