Recensioni de* critic*

Though at first seemingly offhanded to the point of haphazard, the film reveals itself to have a finely tuned construction and acute sense of rhythm and character, hitting its marks just so for beats of laugh-out-loud comedy and subtle, unexpected emotional clarity.

"Harmony and Me" is a profane but poignant comedy about hipster heartbreak... an undeniable crowd-pleaser with art-film credibility.

"Harmony and Me" is funny. The dialogue and performances are sharp and amusing; the shambling pace provides an arena for observational backbeats and conversational fillips.

A funny, wry mumblecore comedy... Bob Byington directs with an exact sense of what he wants.

Despite the film’s sketchy aesthetic and barely animate lead, its tone is carefully contrived: I’ll wager no one in your circle is as dryly funny or spontaneously surreal as Harmony’s nonsupport group.

"Harmony" should theoretically be a comedy of awkwardness—it’s got ugly broken marriages, pedophile jokes, and a suicide attempt—but, with hilarious dialogue, it’s poised at the exact sweet spot where awkward encounters don’t make the audience themselves uncomfortable, just amused... It’s deceptively loose, but always on point

This follow-up [to Byington's "RSO (Registered Sex Offender)"] treads a more familiar path with its rueful tale of unrequited love, though its offbeat characters are still funny and believable.

Bob Byington's "Harmony and Me" is a slow meander through the mostly stagnant life of a character hardly worth the bother... [It] is as awkward as its title character, and lacks visual flair.

Those who enjoyed "Mutual Appreciation" and its like will find this a diverting and entertaining film in the spirit of Woody Allen's early nervous romances.

"Harmony and Me" unexpectedly sneaks clever, cutting, and/or absurd one-liners into most of its seemingly ad-libbed scenarios, its consistent ability to amuse bolstering what in effect amounts to a cinematic doodle.