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LA MORTE ARRIVA CON LA VALIGIA BIANCA

Robert Culp Stati Uniti, 1972
Everything in Hickey & Boggs seems sick of the Los Angeles sun. The shitty little paper cups for bad coffee and booze ready to litter the streets; the junky, dented cars with their fading paint jobs... That's the crummy world we're immediately placed into by director Robert Culp (with a screenplay by Walter Hill), purposely and powerfully emphasizing an existential despair that clings to these characters like decades of smoke tarring an addict's lungs.
aprile 19, 2017
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Hickey & Boggs is torn between a devotion to genre routine and a willingness to strike out its own weirder, more personal path... Culp's work is sturdy and confident, but he more or less approaches Hill's script as a straightforward procedural; the film lacks the obsessive edge that might have elevated it to the poetic realm that's occupied by Hill's best films.
dicembre 7, 2014
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