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Parallel Worlds: An Interview with Paul Clipson

Paul Clipson's work combines visual music with images of civilization and the natural world to access poetic realms of the unconscious.

Tadhg O'Sullivan Introduces "The Great Wall"

The film's central idea, that walls of all kinds are everywhere erected to protect power and exclude the powerless, is a timeless one.

Rushes. Louis C.K., Netflix vs. Film History, Twin Peaks Finale

This week’s essential news, articles, sounds, videos and more from the film world.

Film Is A Work Like Any Other: Talking with Christian Petzold and Christoph Hochhäusler

The two German directors, a generation apart, discuss each other's films and their own, in a wide-ranging conversation.

Locarno Blog. In Praise of Actors

Who are the actors and stars of the 21st century? "Three Billboards Outside Ebbing, Missouri" brings out the best of its performers.

TIFF 2017. Top Picks & Coverage Roundup

A comprehensive listing of all of our coverage of the 2017 Toronto International Film Festival, including interviews and favorite films.

We Are All One Woman: Vivian Qu Discusses "Angels Wear White"

An interview with the Chinese director about her blunt and rigorous drama about child abuse, misogyny and corruption in Chinese society.

The Man With No Hands: Lucrecia Martel and "Zama"

An interview with the Argentinian director about her first film in nearly ten years, an adaptation of Antonio Di Benedetto's 1956 novel.

Video Essay. Pialat: Tough Love

A video essay exploring Maurice Pialat, one of the toughest and most tenderhearted filmmakers to ever work in Europe.

TIFF 2017. Correspondences #13

A look at "Three Billboards Outside of Ebbing, Missouri," "Bodied" and "Scaffold" conclude our critics' correspondence for this year's TIFF.

TIFF 2017. Correspondences #12

Two great anti-consumption short films—by American Sara Cwynar and Polish Wojciech Bąkowski—and Louis C.K.'s "I Love You Daddy".

Less Is More: Ilian Metev Discusses "3/4"

An interview with the Bulgarian director about his second feature, the Pardo d'Oro winner at the Locarno Festival, "3/4".