A tragicomedy starring one of Hollywood’s most famous figures, Boris Karloff—and him only—in a recreation of one creature’s destiny.
A comedy set in 1974 with a sense of playful absurdity and burst of sexual liberation utopias.
One of the few successful “film as theory” works in competition, brilliantly and bravely facing the possibility of being misunderstood.
A book, working, a film, filming, memories, love. Images and notes on Joaquim Pinto’s What Now? Remind me.
From Locarno, a special film. A notebook, a diary. A tale of pains and joys, of suffering and struggling. Of books and films.
The American remake of the Mexican horror film (programmed in Quinzaine in 2010) unfolds a complex meditation upon family and foundation.
Anthony Chen’s first feature is a heartfelt, lived-through vision of the 1997 Asian crisis in Singapore.
Decisively on the “fun” side of To’s films, a wild blending of thriller, comedy, burlesque and fantasy starring Andy Lau and Sammy Cheng.
The chauffeur-passenger story of the poor and the rich is given an extra dimension this debut: the border between Shenzen and Hong Kong.
A self described homage to King Hu and Chang Cheh reveals itself to be strongly rooted in the consistency and strength of Jia’s film world.
On the role of caricature under dictatorial regimes and a reflection upon art as it is understood by Middle Eastern intellectuals.
An uncompromised comment upon the men who are now ruling Mozambique.