A Note from Viennale
Marie-Pierre DuhamelA new film by Nathaniel Dorsky and an old painting by Jacob van Ruisdael.
Marie-Pierre Duhamel
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Locarno 2014. A Question of Language II: Damien Manivel's "Un jeune poète"
Marie-Pierre DuhamelA sweet song to the courage of being young and starting a live once language has refused to hide you.
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Locarno 2014. A Question of Language I: Eugène Green's "La Sapienza"
Marie-Pierre DuhamelEugène Green’s new film, his first in many years, may surprise by its serene, tender conclusion & by the softening of the director’s style.
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Two Cannes Films in Paris
Marie-Pierre DuhamelViewed at the old Louxor theatre in Paris, notes on Jean-Pierre and Luc Dardenne’s Two Days, One Night and Franco Lolli’s Gente de bien
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Notes for David Cronenberg's "Maps to the Stars"
Marie-Pierre DuhamelSeeing, thinking, and talking about Cronenberg’s new film not from Cannes but from a Paris cinema from 1921.
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Good Old "Cherchez la femme"? Notes on Abel Ferrara's "Welcome to New York"
Marie-Pierre DuhamelA second take on Abel Ferrara’s unofficial Dominique Strauss-Kahn film.
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Locarno 2013. The Question of Vintage. Part 3: Norbert Pfaffenbilcher's "A Masque of Madness (Notes on Film 06-B, Monologue 02)"
Marie-Pierre DuhamelA tragicomedy starring one of Hollywood’s most famous figures, Boris Karloff—and him only—in a recreation of one creature’s destiny.
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Locarno 2013. The Question of Vintage, Part 2: Lionel Baier’s “Les grandes ondes (à l’ouest)”
Marie-Pierre DuhamelA comedy set in 1974 with a sense of playful absurdity and burst of sexual liberation utopias.
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Locarno 2013. The Question of Vintage, Part 1: Emmanuel Mouret's "Une autre vie"
Marie-Pierre DuhamelOne of the few successful “film as theory” works in competition, brilliantly and bravely facing the possibility of being misunderstood.
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Locarno 2013. Images From / For Joaquim Pinto
Marie-Pierre DuhamelA book, working, a film, filming, memories, love. Images and notes on Joaquim Pinto’s What Now? Remind me.
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Locarno 2013. Joaquim Pinto's "What Now? Remind Me"
Marie-Pierre DuhamelFrom Locarno, a special film. A notebook, a diary. A tale of pains and joys, of suffering and struggling. Of books and films.
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Cannes 2013. "Did you eat my daughter?": Jim Mickle's "We Are What We Are"
Marie-Pierre DuhamelThe American remake of the Mexican horror film (programmed in Quinzaine in 2010) unfolds a complex meditation upon family and foundation.