Each Sunday in the Weekly Edit, you'll find highlights from the previous week of Notebook publishing, plus the occasional gem from our archives:
- Thoughtful considerations of the current cinema, like Grace Byron on Jane Schoenbrun’s I Saw the TV Glow (2024).
- Appreciations of repertory titles, like Imogen Sara Smith on Frank Borzage’s Man’s Castle (1933).
- Essays on film history, like Jawni Han’s analysis of Korean “comfort women” on screen.
- In-depth interviews, like K. F. Watanabe’s with Shiguéhiko Hasumi.
- Filmmaker contributions, like Radu Jude’s inspirations for The Delinquents (2023).
- Expansive festival coverage, like our recent dispatches from Cannes.
- And much more.
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