We use cookies to ensure that we give you the best experience on our website. Click here for more information.

Viennale 2014. Lineup

The lineup for this year's Venice International Film Festival, taking place between October 23rd and November 6th.

The 2014 Viennale gets underway on October 23rd and runs to November 6th. The festival has published a preview of their lineup:


Frank (Lenny Abrahamson)

Jauja (Lisandro Alonso)

Clouds of Sils Maria (Olivier Assayas)

Winter Sleep (Nuri Bilge Ceylan)

Whiplash (Damien Chazelle)

Two Day, One Night (Jean-Pierre & Luc Dardenne)

Li'l Quinguin (Bruno Demont)

Hard to Be a God (Aeksej German)

Adieu au langage (Jean-Luc Godard)

Mambo Cool (Chris Gude)

Amour fou (Jessica Hausner)

The Last Summer of the Rich (Peter Kern)

Time Lapse (Bradley King)

The Kindergarten Teacher (Nadav Lapid)

Sorrow and Joy (Nils Malmros)

Suddarth (Richie Mehta)

Macondo (Sudabeh Mortezai)

Force Majeure (Ruben Ostlund)

I'm Not Him (Tayfun Pirselimoglu)

Favula (Raúl Perrone)

Buzzard (Joel Potrykus)

A Proletarian Winter's Tale (Julian Radlmaier)

Two Shots Fired (Martín Rejtman)

Mauro (Hernán Rosselli)

The Sad Smell of Flesh (Cristóbal Arteaga Rozas)

Love is Strange (Ira Sachs)

The Tribe (Myroslav Slaboshpytskiy)

Why Don't You Play in Hell? (Sion Sono)

Of Girls and Horses (Monika Treut)

Mercuriales (Virgil Vernier)


The Many Faces of Comrade Gelovani (Mikheil Antadze)

Le rappel des oiseaux (Stéphane Batut)

Art and Craft (Sam Cullman)

Journey Into a Fog: Artur Berger, Film Architect (Christian Dewald and Werner Michael Schwarz)

The Airstrip (Heinz Emigholz)

20,000 Days on Earth (Iain Forsyth and Jane Pollard)

Stray Dog (Debra Granik)

Pulp: A Film About Death and Supermarkets (Florian Habicht)

Maidan (Sergei Loznitsa)

Outtakes from the Life of a Happy Man (Jonas Mekas)

Sobre la marxa: The Creator of the Jungle (Jordi Morató)

Nepal Forever (Aliona Polunia)

Domino Effect (Elwira Niewiera and Piotr Rosolowski)

Branco sai, preto fica (Adirley Queirós)

Mr. X (Tessa Louise Salomé)

We Come as Friends (Hubert Sauper)

The Incomplete (Jan Soldat)

Zuo tian (Saw Tiong Guan)

National Gallery (Frederick Wiseman)


A Dangerous Method: A Tribute to Viggo Mortensen

Revolutions in 16mm: Towards an Alternate History of the Small Gauge

Arab Utopia: The Algerian Filmmaker Tariq Teguia

The Inscription of the World: In memory of filmmaker Harun Farocki

RETROSPECTIVE: JOHN FORD (running Oct. 16th-Nov. 30th)

"Dedicating this year’s retrospective to John Ford, the Viennale and Austrian Film Museum aim to honor and introduce every phase of his artistic output with a selection of 45 films. In rare productions such as JUST PALS, KENTUCKY PRIDE and BUCKING BROADWAY we can explore the early silent film era, while the expressionistic THE INFORMER and THE PRISONER OF SHARK ISLAND, as well as the little known masterpiece PILGRIMAGE, give us an opportunity to discover the period of early talkies. The classics, that is, highly acclaimed films from the 1940s, including MY DARLING CLEMENTINE, THE GRAPES OF WRATH and HOW GREEN WAS MY VALLEY, go hand in hand with Ford’s documentaries, created during the Second World War. Cavalry films like FORT APACHE and SHE WORE A YELLOW RIBBON mark the beginning of a nostalgic review, and THE SUN SHINES BRIGHT, THE SEARCHERS and THE MAN WHO SHOT LIBERTY VALANCE represent the phase of Ford’s late work. As in previous years, the retrospective will be documented in the form of a book, including new essays, classical texts, and statements by Ford as well as reviews of all the films shown at the retrospective."


ViennaleViennale 2014Festival Coverage
Please sign up to add a new comment.


Notebook is a daily, international film publication. Our mission is to guide film lovers searching, lost or adrift in an overwhelming sea of content. We offer text, images, sounds and video as critical maps, passways and illuminations to the worlds of contemporary and classic film. Notebook is a MUBI publication.


If you're interested in contributing to Notebook, please see our pitching guidelines. For all other inquiries, contact the editorial team.