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Delphine Seyrig fotoğrafı
Delphine Seyrig fotoğrafı

Delphine Seyrig

“We live in a so-called heterosexual society which is really male heterosexual. Power, press, media, industry all stress male achievements. Heterosexuality was a mask. In the commercial cinema, this heterosexuality appears basically anti-feminine: you see more male faces on the posters than before. The world is showing its true face at last.”

Gösterimdeki Filmler

    BE PRETTY AND SHUT UP!

    Delphine Seyrig Fransa, 1976

    Combative and essential, Delphine Seyrig’s rarely-seen interviews with a dynamic group of actresses—including Jane Fonda and Maria Schneider—have an immediate, unpolished aesthetic that strips off the glamorous veneer of mainstream cinema, exposing the industry’s rampant sexism and discrimination.

    Daha fazla bilgi

    LETTERS HOME

    Chantal Akerman Belçika, 1986

    Adapted from a play comprised of passages from Sylvia Plath’s letters, Chantal Akerman’s film retains the sparse set design which strikingly heightens the excerpts’ raw emotions. The tortuous mother-daughter relationship, central to both Plath’s and Akerman’s works, takes on a startling physicality.

    MASO AND MISO GO BOATING

    Carole Roussopoulos, Delphine Seyrig, Ioana Wieder, Nadja Ringart Fransa, 1976

    Bearing witness to the unabashed misogyny in 1970s France, this documentary irreverently distorts a TV broadcast to reveal the appalling and absurd extremes of systemic patriarchal prejudice. Through playful means, four women filmmakers—Les Insoumuses—make us laugh at a situation worth crying over.

    S.C.U.M. MANIFESTO 1967

    Carole Roussopoulos, Delphine Seyrig Fransa, 1976

    Valerie Solanas’ın “Erkek Doğrama Cemiyeti Manifestosu”nun Fransa’da hiçbir yerde bulunamamasına bir tepki olarak ortaya çıkan filmde, küçük bir televizyonda beliren, devlet şiddetine işaret eden görüntüler, Solanas’ın metinleri okunurken farklı anlamlar kazanıyor.

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