“[About motion pictures] It is just so dreamlike. The sounds, the images. Filmmakers who can do time in particular ways like Terry Malick, that’s amazing: you are floating through time. Because I write scenes with lots of dialogue, I’m often asked whether I would ever write a play. I couldn’t, because a play has one proscenium, so I can’t change angles; I can’t do close-ups. When you think of Bergman movies you always think about someone’s face, or two people in a room, and yet the spaces seem vast.”