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This free-associative, utterly unclassifiable film—assembled from the “lost” footage of the first Serbian talkie, a silly melodrama titled Innocence Unprotected —is one of Makavejev’s most freewheeling farces.
This free-associative, utterly unclassifiable film—assembled from the “lost” footage of the first Serbian talkie, a silly melodrama titled Innocence Unprotected —is one of Makavejev’s most freewheeling farces.