It was when Guy Pearce showed up as the psychopath, nearly unrecognizable with middle-parted, slicked-back hair and barely visible eyebrows, that I mostly surrendered myself to the gory hokum. Cave’s screenwriting still lags a long way behind his songwriting, but he’s developing a facility for terse period dialogue, and he provides Hillcoat with ample opportunity to indulge in pleasantly ludicrous, testosterone-fueled mayhem.
Mike D'Angelo
Mayıs 20, 2012