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MARY POPPINS

Robert Stevenson ABD, 1964
The movie, like a day at Disney World, pulls the viewer through an incessant, nigh-claustrophobic landscape of surrealism and fun. Resistance is futile; the sugar is the medicine. Maybe Andrews deserved the Oscar after all: Her perfectly pitched sense of refinement—walking the tightrope between encouraging silliness and holding it in check—would help even a stuffy, nonagenarian bank president feel more like a kid at play than the parent of that kid, dragging his feet through Magic Kingdom.
Ocak 8, 2014
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