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İkinci Dünya Savaşı’nın haberleri, drama eleştirmeni Alexander’ın doğum günü kutlamaları festivallerinde patlak verir. Dünyanın sonu yaklaşırken, Alexander Tanrı’ya döner ve ve eğer savaşın önüne geçilirse, kendisine yakın olan ve sevdiği herşeyden vazgeçmeye söz verir.
Yorumumuz
Büyük Andrei Tarkovsky (Solaris, Stalker) bütün o çok kısa kariyerinin ardından 54 yaşında bu dünyadan göçtü. Ölmeden önce tamamladığı The Sacrifice, sinemanın en büyük son eserlerinden biridir: görsel bir yetenek gösterisi ve bir babadan oğluna kalp kıran bir veda. HD olarak mevcut!
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(10)
Ödüller & Festivaller
Cannes Film Festival
1986 | 4 ödül: Best Artistic Contribution
BAFTA Awards
1988 | 1 ödül: Best Foreign Language Film
What remain are some of the most haunting moments of the director’s career: The sudden and uncanny desaturation of the film’s image—courtesy of master cinematographer Sven Nykvist—as Erland Josephson roams his estate in a nuclear daze; the flickering TV test pattern reflected on the family in tableau; the film’s breathtaking denouement, which never ceases to terrify me. These are the images I return to again and again.
James Stroble
January 15, 2016
…Tarkovsky’s other work of exile was his haunting, supernatural-tinged last film The Sacrifice (1986), shot on the Swedish island of Gotland, and not in his native language. It looks at times like a Bergman film – not surprising given he enlisted Bergman’s brilliant cinematographer Sven Nykvist.
Carmen Gray
October 28, 2015
Tarkovsky’s seventh and final film requires of a contemporary audience a contemporary forfeit—for the film to work, for its duration all distractions must be kept at bay. In a way, this is also the challenge facing Alexander (Bergman’s Erland Josephson), once an actor and these days a theatre critic who’s frustrated with the uselessness of words.
Elina Alter
November 12, 2014
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