A timeless, minimalist deadpan comedy, this is a young woman’s deliciously eccentric quest for sense of self in a world of doppelgängers, with an unforgettable performance from Rosario Bléfari. Committed to hilarity in all forms, Martín Rejtman’s cinema conjures humor and warmth in equal measure.

Martín Rejtman’s debut is today regarded as the film that launched the New Argentine Cinema, and prefigures his trademark style of comedies imbued with a languid melancholy and hilariously deadpan humor. Presented in its recent restoration, this now-cult film is always ripe for (re)discovery.

Accommodating both the downbeat and the surreal, Martín Rejtman’s first feature in nine years treats midlife depression with a holistic sense of humor. Comic scenarios flow into one another with the flexibility of a master yogi, and achieve a strengthened core in The Delinquents’ Esteban Bigliardi.