Illustrations by Maddie Fischer.
This year at Cannes, we invited a number of attendees to share their impressions from the festival across various categories. We had a few ideas for what those categories might be, but they had many more, and the results are somewhere between a critics’ grid and a yearbook superlatives page. We're glad we asked.
- Mark Asch (contributor, InsideHook)
- Giovanni Marchini Camia (co-founder, Fireflies Press; contributor, Sight & Sound)
- Jordan Cronk (contributor, Artforum)
- Jon Dieringer (editor-in-chief, Screen Slate)
- Flavia Dima (contributor, Films in Frame)
- Leonardo Goi (contributor, Notebook)
- Eric Hynes (curator, Museum of the Moving Image)
- Daniel Kasman (editor-in-chief, Notebook)
- Jessica Kiang (contributor, Variety)
- Elena Lazic (editor, Animus)
- Manuela Lazic (contributor, The Ringer)
- Savina Petkova (co-editor, Talking Shorts)
- Andréa Picard (curator, Toronto International Film Festival)
- Adam Piron (programmer, Sundance Film Festival)
- Caitlin Quinlan (contributor, Sight & Sound)
- Vadim Rizov (director of editorial operations, Filmmaker)
- Rafa Sales Ross (contributor, Little White Lies)
- David Schwartz (independent programmer)
- Pedro Segura (independent programmer and critic)
- Öykü Sofuoğlu (contributor, In Review Online)
- Hannah Strong (digital editor, Little White Lies)
Find all of our Cannes 2024 coverage here.
