Each Sunday in the Weekly Edit, you'll find highlights from the previous week of Notebook publishing, the occasional gem from our archives, plus subscriber-only special features:
- Thoughtful considerations of the current cinema, like Mary Turfah on No Other Land (2024).
- Appreciations of repertory titles, like Sanoja Bhaumik on The Mirage (1983).
- Career-spanning profiles, like Cassie da Costa on RaMell Ross.
- In-depth interviews, like Carlos Valladares in conversation with Charles Burnett.
- Contributions to film history, like Tom Gunning on the sensory cinema of attractions.
- Probing essays on film technique, like Lawrence Garcia on the “subjective” camera.
- Contributions from filmmakers, like Nelson Carlo de los Santos Arias’s storyboards for Pepe (2024).
- Recurring columns, like Jonah Jeng’s Action Scene.
- Dispatches from the fringes of moving-image culture, like Dylan Adamson on TikTok realism.
- Expansive festival coverage, like Emerson Goo on the Taiwan International Documentary Festival.
- Book reviews, like Kat Sachs on a new biography of Elaine May.
- Excerpts from the best new publishing on cinema, like Elena Gorfinkel and John David Rhodes’s The Prop.
- New translations, like Jawni Han’s of a conversation between Wang Bing and Jung Sung-il.
- News from around the film world in the form of our Rushes roundup.
- And much more.
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