
With sharp wit and cathartic intensity, Coralie Fargeat turns toxic beauty culture inside out in her Oscar®-winning latest feature. Powered by a career-best performance from Demi Moore, The Substance fearlessly bulldozes its way into the midnight-movie pantheon and the feminist canon.

Instincts both maternal and carnal clatter like shards of glass in a blender in this uncompromising portrait of a woman on the edge from director Lynne Ramsay. Starring Jennifer Lawrence and Robert Pattinson in a frenzied pas de deux, Die My Love inflames the exposed nerves of delirium and desire.

Writer-director Carmen Emmi handcuffs obsession to power in this confident debut set in ‘90s New York, detecting erotic fixations in homophobic policing. With one furtive eye on William Friedkin’s cult classic Cruising, Plainclothes searches fuzzy videotape surveillance footage for forbidden desire.

Iconic auteur Jim Jarmusch’s acclaimed return to anthology filmmaking abounds with wryly resonant observations on the family unit. Sketching finely detailed portraits with its starry ensemble cast (including a gloriously rumpled Tom Waits), this offbeat triptych finds universals in idiosyncrasies.

The first Nigerian film ever to screen in Official Selection at Cannes, this prizewinning debut feature from Akinola Davies Jr. is steeped in feeling and lyrical imagery. Bathing the father-son bond in a tender glow, this vibrant coming-of-age tale gathers up precious things amid political tumult.

Chapters one to three of Julia Loktev’s unmissable five-chapter documentary encapsulate the Russian government’s crackdown on perceived enemies of the state. Seeing more than paranoia, the director’s close rapport with her subjects surfaces defiant camaraderie and unwavering commitment to truth.
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