Durant la pandémie de COVID-19, l’artiste sud-africain William Kentridge ouvre les portes de son studio de Johannesbourg pour mettre à nu son processus créatif. Mêlant animation, collage, performance et conversations avec des doubles, il médite sur la culture, l’histoire et la mémoire politique.
William Kentridge
William Kentridge
“I have never tried to make illustrations of apartheid, but the drawings and films are certainly spawned by and feed off the brutalized society left in its wake. I am interested in a political art, that is to say an art of ambiguity, contradiction, uncompleted gestures, and certain endings; an art (and a politics) in which optimism is kept in check and nihilism at bay.”
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