Dopo controversie, riflettori puntati sul movimento Dogma 95 e un critico infuriato cacciato dalla sala durante la proiezione a Cannes, Lars von Trier rimase con questo film innovativo, qui presentato in versione restaurata, che esplora il prezzo stesso della provocazione.

Christmas has come to the Kingdom, as our little band of spiritual warriors make their last stand against the forces of evil. With demonic doppelgängers, telephone menu systems controlled by the minions of Satan, and a climactic reveal for the ages, The Kingdom Exodus reaches its epic conclusion.

Lars von Trier returns to the original haunted hospital of his ’90s TV sensation with this dazzling limited event series. Set in the run-up to Christmas, The Kingdom Exodus serves an incomparable blend of horror and humor on a compulsively entertaining path towards the promise of Armageddon.

The owls are not what they seem in this episode, as von Trier is reunited with one of his former stars, here playing a shape-shifting emissary of Satan. His is an infernal introduction, but the best is saved for Alexander Skarsgård, as the Swedish lawyer who has inherited his dad’s porcelain throne.

As Karen’s quest draws her into a netherworld far beyond the Kingdom’s nondescript wards, Lars von Trier’s visual imagination meets the moment. The return of Udo Kier—monstrously reincarnated as the embodiment of the hospital’s ailing soul—conjures a climactic torrent of phantasmagoric spectacle.