Utilizziamo i cookie per offrirti la migliore esperienza possibile sul nostro sito. Per maggiori informazioni, clicca qui.
“[On Scarred Hearts, 2016] It’s a bit like a jazz piece – it starts classical and then it gets more disorienting, more broken. Some people have complained that there’s no story, no drama, no conflict. I like these kind of fragmented structures – in a way, they are more true to the way we understand things.”
