Mythology of fantasy

From I. to V. the stories become more and more realistic, from V. to I. the stories become more and more fantastical.

I. Extreme Fantasy: (the miracle is out in the world)

1. Fantasy:
Korda Sándor’s The Thief of Bagdad (1940)
Aleksandr Ptushko: The Stone Flower (1946)
Vittorio de Sica: Miracle in Milan (1951)
Aleksandr Ptushko: Sadko (1952)
Lev Atamanov: The Snow Queen (1957)
Ivan Aksenchuk: The Little Mermaid (1968)
Vladimir Chebotaryov and Gennadi Kazansky: The Amphibian Man (1962)
Aleksandr Ptushko: Ruslan and Ludmila (1972)
Vladimir Bychkov: Rusalochka (1976)