Rushes: Ghibli Museum Virtual Tour, Olivier Assayas's State of Cinema, Arthur Jafa x Kanye West

This week’s essential news, articles, sounds, videos and more from the film world.
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Above: Carl Reiner, Annie Reiner, and Mel Brooks, photographed together at Brooks's 94th birthday celebration.
  • We're saddened by news that actor, comedian, screenwriter and director Carl Reiner has died. Mel Brooks remembers Reiner, his best friend, in a post reflecting upon their famous collaborations together.
  • Sundance Film Festival director Tabitha Jackson has unveiled plans for the 2021 Sundance Film Festival, which will take place "live in Utah and in at least 20 independent and community cinemas across the U.S. and beyond."
  • Elsewhere, the Locarno International Film Festival announced its 20 selections for the Films After Tomorrow program, which aims to offer support to productions that were put on hold by the health crisis. These films include films by Lucrecia Martel, Wang Bing, Verena Paravel and Lucien Castaing-Taylor, Helena Wittmann, and Lisandro Alonso.
  • Arthur Jafa directed the music video for Kanye West's latest single, "Wash Us In The Blood." Jafa previously used West's "Ultralight Beam" in his film Love Is the Message, the Message Is Death. This new video similarly features montages of appropriated footage that includes protests, planets, prisons, and Grand Theft Auto.
  • Utopia has released its official trailer for the Ross Brothers' Bloody Nose, Empty Pockets, a recreation of the last day before a Las Vegas bar's closure. Read our review of the film by Ela Bittencourt here.
  • A sneak peek at Disney Pixar's Soul, starring Jamie Foxx and Tina Fey. The film follows an aspiring jazz musician whose brush with death awakens a search for the meaning of life.
  • In case you missed it, David Lynch has been uploading regular vlogs onto his YouTube channel, David Lynch Theater. These range from 45-second "weather reports" to Q&A sessions with fan-submitted questions, and the endearing segment What is David Working on Today?, which shows the filmmaker repairing a pair of pants and building a phone holder.
  • Christopher Makoto Yogi's August at Akiko's, a mystical portrait of a musician who returns to Hawaii and encounters the titular Akiko and her Buddhist bed and breakfast, is currently playing among many countries on MUBI. This accompanying film, entitled a still place, is a calming, healing, one hour-long meditation on Akiko's zazen as the sun rises.
  • For those left wanting more Ghibli content after watching the Studio's newly streaming films on Netflix, the Ghibli Museum (which previously banned visitors from taking photos and videos inside the building) has uploaded a number of virtual tour videos onto its YouTube channel.
Above: Bruce Lee, from the Bruce Lee Family Archive.
  • Danny Chau of The Atlantic reflects upon the mythologizing of Bruce Lee, from a recent documentary Be Water to Quentin Tarantino's depiction of Lee in Once Upon a Time in Hollywood.
  • "It is time, today, to seriously, and responsibly, confront the failure of cinephilia." For Sabzian, Olivier Assayas delivered a talk titled "State of Cinema 2020," and its range of subjects covers the divide between experimental and narrative cinema, the question of theory's importance, and the influence of communitarianism in thinking about art.
  • From the Summer 2020 issue of the always illuminating Film Quarterly, a look at first-person documentary filmmaking in Patricio Guzman's Cordillera of Dreams, an assessment of Isaac Julien's ten-screen installation Lessons of the Hour: Frederick Douglass, and an annual Sundance report by editor B. Ruby Rich.
  • The Seventh Art's translations of Luc Moullet’s Politique des acteurs continues with a new chapter on Cary Grant, who Moullet deems the best actor in Hollywood: "More than the choice, development and detailing of the character, Grant’s authorial quality is conveyed through his body language."
  • Tiana Reid investigates Horace B. Jenkins's newly restored Cane River's portrayal of land ownership and ecology, and its engagement with the concept of the "black outdoors."
  • "Given its post-modern approach towards narrativizing a story which is not post-modernist, the film’s viewing begs the question: who is allowed to draw a meaning from it and over whose silence?" Beatrice D. Choudhury gives Mani Kaul's 1973 classic, Duvidha, its Close-Up. The film is now showing in the series A Journey into Indian Cinema.
  • The Video Essay, a joint project of MUBI and FILMADRID International Film Festival, concludes with Anna/Nana/Nana/Anna by Mark Rappaport, a tribute to close-up faces of actresses. Enjoy the full series here.
  • On Juneteenth, Notebook had the opportunity to speak with Julie Dash, who discusses the legacy of Daughters of the Dust, the development of her upcoming Angela Davis biopic, and the barriers she's faced in a racist and capitalistic film industry.
  • From Brandon Schaefer and Jon Stobez on Twitter, unused concept art for an Eyes Wide Shut poster, meant to symbolize a chess board. 


NewsRushesNewsletterVideosTrailersCarl ReinerRoss BrothersDavid LynchJulie DashChristopher Makoto YogiArthur JafaOlivier AssayasBruce LeeCary Grant
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