Foto de Hirokazu Koreeda

Hirokazu Koreeda

“I wanted to create a big lie, meaning the opposite of the documentary-style, naturalist, contemporary films I've been doing.... So far I've tried to use naturalism to search for reality, but now I will try total fiction to search for that reality. ”

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    Monstro

    MONSTRO

    HIROKAZU KOREEDA Japão, 2023

    Winner of the Queer Palm and Best Screenplay at Cannes, Hirokazu Kore-eda’s intricately structured drama delves into the fragility of boyhood. Bookended by fires and storms, delicate feelings of anger, confusion, and love swell through an exquisite final score from the late maestro Ryuichi Sakamoto.

    Boneca Inflável

    BONECA INFLÁVEL

    HIROKAZU KOREEDA Japão, 2009

    With his trademark mix of tenderness and unexpected comedy, Japanese auteur Hirokazu Kore-eda (Shoplifters) explores the meaning of love and relationships in this quirky story of an “air doll” that comes to life. The loneliness of life in the city is perfectly captured with a melancholy beauty.

    Flowers of Taipei: Taiwan New Cinema

    FLOWERS OF TAIPEI: TAIWAN NEW CINEMA

    CHINLIN HSIEH Taiwan, 2014

    Mostrando entrevistas com Hirokazu Kore-eda, Hou Hsiao-hsien, Wang Bing, Kiyoshi Kurosawa e Jia Zhangke, este retrato documental fornece uma perspectiva completa sobre o novo cinema de Taiwan. Um documento essencial de um dos capítulos mais importantes do cinema do século XX.

    Depois da Tempestade

    DEPOIS DA TEMPESTADE

    HIROKAZU KOREEDA Japão, 2016

    Japanese auteur Hirokazu Koreeda delivers a humanist masterpiece with this tale of parenthood and forgiveness. Drawing comparisons to the work of Yasujiro Ozu, Koreeda’s emotionally rich drama quietly observes the dynamics of the family at its center with boundless empathy, generosity, and care.

    O Terceiro Assassinato

    O TERCEIRO ASSASSINATO

    HIROKAZU KOREEDA Japão, 2017

    Before winning the Palm D’Or with Shoplifters, Hirokazu Koreeda directed this crime thriller filled with nuance and complexity. Defying genre conventions, its whodunit aspect quickly makes room for a deeper exploration of truth, memory and the power of stories that we tell ourselves and others.

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