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TEKNO AŞK

Lynn Hershman-Leeson Birleşik Krallık, 2002
Though presumably intended as a deadpan parody of stem-cell reproduction, the humor never quite computes in [Teknolust]... While it’s stylishly designed and shot in startling colors on digital high-definition cameras, this feels like yesterday’s futuristic news.
Mart 15, 2022
Yazının tamamını oku
If the question of what constitutes a person seems to have particularly anxiety-inducing relevance in the age of ever-expanding AI, it’s comforting to see the work of an artist who has been grappling with that inquiry—and doing so in relation to technology—for decades.
Kasım 15, 2019
The New York Times
A minor addition to the tiny genre of feminist science fiction films... ''Teknolust'' has a lot on its mind but little on the ball when it comes to transforming thematic notions into dramatic concepts.
Şubat 20, 2004
Teknolust‘s close-quarter humanism explores the fragments of female identity... It’s a quiet tour de force for Tilda Swinton... [a film defined by] creative urges and beautiful flaws.
Şubat 10, 2004
Sci-fi has rarely been so playful... Even when "Teknolust" doesn't make sense, which is frequently, there's something to hold your interest.
Ağustos 22, 2003
Though less pretentious than [Hershman Leeson's] Conceiving Ada, Teknolust is also every bit as confused... Still, the film’s weirdness needs to be experienced in order to be believed. If anything, see it for Karen Black, who camps up a storm as a fringe feminist conspiracy theorist named Dirty Dick.
Ağustos 23, 2002
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