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Foto di Hong Sang-soo
Foto di Hong Sang-soo

Hong Sang-soo

“When I finish a film, I feel like I have overcome a certain hurdle. It's really good for me as a human being, and I hope that for some people, my films will do the same thing.”

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    THE WOMAN WHO RAN

    Hong Sang-soo Corea del Sud, 2020

    Rightly named one of 2020’s best films, The Woman Who Ran finds the delightfully prolific Hong Sang-soo at his most bare and gentle. Kim Min-hee’s luminous presence fills the screen in this disarming minimalist gem, where wisdom emanates from small talk and men don’t seem to fit in a feminine world.

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    VIRGIN STRIPPED BARE BY HER BACHELORS

    Hong Sang-soo Corea del Sud, 2000

    If Hong Sang-soo’s first two features were unconventional, it was with his third that he fully embraced the possibilities of narrative playfulness. Through a dazzling ouroboros of repetitions and variations, Hong picks at the very notion of truth in the entangled mess of human relationships.

    THE POWER OF KANGWON PROVINCE

    Hong Sang-soo Corea del Sud, 1998

    Hong Sang-soo’s second feature, this time working from his own script, sees a leap towards a signature style. No zooms just yet—but plenty of soju—in a film of playful repetitions and savvy symmetries, whose long takes and structural innovations underpin twin perspectives on a single set of events.

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