Notebook Soundtrack Mix #3: "Trespassers Will Be Eaten"

Above: A rack focus in Bullitt.

TRESPASSERS WILL BE EATEN

Perhaps a less eye-grabbing, but still “driving” title for this third MUBI soundtrack mix should be Shifting Gears...as such, it’s a free-falling, propulsive survey of scores focusing on the thriller in all of its manifestations: detective procedurals, bank heists, neo-noirs, spy films, psychodramas, giallos, chases, races, and sci-fi mind-games. Featured also are a few composers better known for their more famous musical projects. Police drummer Stewart Copeland’s metallic, rhythmic score for Rumble Fish, gamely taunts the self-conscious black and white street theatre of Francis Ford Coppola's film. So-called fifth Beatle, producer George Martin’s funky Shaft-influenced Live and Let Die score ushers in a more leisurely 70s-era James Bond, as incarnated by Roger Moore. Epic crooner visionary Scott Walker’s fatally romantic melodies for Leos Carax’s inventively faithful Melville adaptation Pola X is remarkably subdued and lush. Finally, Godzilla’s sonic frontman, Akira Ifukube offers up a lovely calm for Josef von Sternberg’s set-bound island of the mind film, The Saga of Anatahan.  Curious collaborations include jazz legends Stan Getz and Ornette Coleman improvising over the title sequences for Eddie Sauter’s Mickey One and Howard Shore’s Naked Lunch soundtracks: the first being an Arthur Penn French New Wave-styled vision of Amerika, the second an artful Cronenberg adaptation of Burrough’s beat collage fever-dream. Amidst all of this, listeners may note that the breakneck swing of Michel Legrand’s Le Mans is punctuated by a sneeze! Who goes there?!

Part of our on-going series, Notebook Soundtrack Mixes.


Stream the mix below or download it here. Total running time: 71 minutes. 


1. Henry Mancini, Charade, “Metro Chase” (edit) (0:00)
2. Michel Legrand, Le Mans, “The race, first laps” (edit) (1:29)
3. George Martin, Live And Let Die, “Trespassers Will be Eaten” (edit) (3:06)
4. Vic Mizzy, Don’t Make Waves, “Daybreak at Malibu” (4:21)
5. Lalo Schifrin, Bullitt, “Shifting Gears” (6:32)
6. Roy Budd, The Black Windmill, “The Plant” (edit) (9:45)
7. Quincy Jones, The Split, “Funny Money” (edit) (12:52)
8. John Barry, The Man With The Golden Gun, “Scaramanga’s Fun House” (edit) (17:14
9. Stelvio Cipriani, La polizia chiede aiuto, “La Polizia Chiede Aiuto” (edit) (18:14)
10. Paul Glass, Bunny Lake Is Missing, “End Title” (19:29)
11. Michel Legrand, La Piscine, “Suspicion” (edit) (20:39)
12. Nelson Riddle, A Rage To Live, “Kiss Me Pumpkin” (21:35)
13. John Barry, Body Heat, “Searching For Matty” (edit) (23:51)
14. Miklos Rozsa, Jungle Book, “Suite” (edit) (24:57)
15. Eddie Sauter/Stan Getz, Mickey One, “Once Upon A Time” (edit) (25:37)
16. Henry Mancini, Experiment In Terror, “Main Title” (29:35)
17. Jerry Goldsmith, The Detective, “Joe’s Decision” (31:50)
18. Nelson Riddle, Lolita, “Lolita Ya Ya” (34:08)
19. Johnny Dankworth, Fathom, “Fathom’s Arrival” (edit) (37:29)
20. Michel Legrand, The Thomas Crown Affair, “The Boston Wrangler” (38:57)
21. Goblin, Deep Red, “Mad Puppet” (edit) (41:40)
22. Stewart Copeland, Rumble Fish, “Brothers On Wheels” (46:00)
23. Francois De Roubaix, Le vieux fusil, “La Mort” (edit) (50:07)
24. Francois De Roubaix, Maquette de travail inédite, “Reverie” (52:00)
25. Ennio Morricone, Frantic, “Six Short Interludes” (edit) (54:32)
26. Akira Ifukube, The Saga Of Anatahan, “Suite” (edit) (55:22)
27. Bernard Herrmann, The Night Digger, “Scene Seven” (edit) (57:57)
28. Scott Walker, Pola X, “Light” (58:55)
29. Toru Takemitsu, The Face Of Another, “Waltz l” (1:00:52)
30. Howard Shore/Ornette Coleman, Naked Lunch, “Main Title” (1:02:56)
31. Ryuichi Sakamoto, The Last Emperor, “Rain (I Want A Divorce)” (edit) (1:05:23)
32. John Barry, The Golden Child, “The Child Is Taken” (edit) (1:06:48)
33. Francois De Roubaix, Le samouraï, “Le samouraï” (edit) (1:07:12)
34. Franz Waxman, The Two Mrs. Carrolls, “Main Title” (edit) (1:08:37)
35. Hans Zimmer, Inception, “Dream Within A Dream” (edit) (1:09:43)
36. Elliot Goldenthal, Heat, “Of Separation” (edit) (1:10:48)

Above: Jean-Pierre Melville's Le samouraï.

Responses

19 responses to this post.  Join the discussion

  • javier quintero

    Great movie-rockola for an afternoon reading!

  • Quentin Carbonell

    It is really really good. Thank you.

  • Paul Clipson

    Thanks Javier and Carbish. I’m very glad that you like the mix!

  • SmokeyPSD

    I like ending on Heat. Elliot did great stuff with that one.

  • Paul Clipson

    Goldenthal’s contribution to Michael Mann’s film, with its typically wide range of musical sources, is exceptional. I almost included Brian Eno’s “Force Marker,” from the bank robbery scene in Heat, in the mix as well!

  • Daniel Kasman

    Force Marker is an out of control piece of music.

  • Paul Clipson

    …and a fitting track for a Vulgar Auteurism mix!

  • Daniel Kasman

    Glad your mind is working in that direction ;)

  • (_ jp _)

    Just discovered these mixes and fell in love instantaneously :))

    Let me say thank you with a link to another film-loving mix with bits of dialogue, score and popsongs: http://bit.ly/TdUOkQ enjoy!

  • Maksym Matuszewski

    great!!!!

  • Ferrell V

    Excellent! Had to add about 10 movies to my list just from this hearing this mix.

  • Joan Ramon

    über-cool, just like the previous ones. It’s been such a pleasure… Thanks so much for sharing!

  • Eren Odabasi

    All three are delightful, thank you so much! These mixes are wonderful works of art on their own :)

  • Ehsan Khoshbakht

    Many thanks for this refreshing and diverse selection of film scores. I just have one thing to add: Ornette Coleman doesn’t play on Mickey One. No alto there. It is merely Getz soloing with a good support from horn section. The free and wild sounding Ornette is too much even for this odd film.

    The very short growling and screaming trumpet solo could be Clark Terry’s, though I’m not sure CT is into these high notes. The complete line-up for Mickey One can be found on my blog:

    http://ehsankhoshbakht.blogspot.com/2011/05/guide-to-best-jazz-scores-for-cinema2.html

  • Paul Clipson

    Hi Ehsan,

    I very much appreciate you pointing out the confusion regarding my description of the solos. I meant to more clearly specify that Getz played over MIckey One’s titles and Coleman over Naked Lunch, not both on each. Thanks for your interest in the mix and the music!

    Paul

  • Ehsan Khoshbakht

    Alright, now I get it. My error. Thanks again Paul.

  • Johannes Östergård

    so good! Thanks!

  • Paul Clipson

    Ehsan- great selection of scores on your blog! It makes me curious to hear more of Mingus’s work for Shadows , as well as an expanded release of Quincy Jones’s In Cold Blood. I just watched a documentary on Krzysztof Komeda, Komeda, Komeda, that’s part of the supplements to Criterion’s recent DVD set of Rosemary’s Baby.

  • Beefy

    I love these so much! Thank you!

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