Noé torna al cinema con un tour de force formalmente audace che si avvale dello split screen. Con interpretazioni sorprendenti di Françoise Lebrun, icona della Nouvelle Vague, e del maestro dell’horror Dario Argento, il film affronta i limiti struggenti dell’amore, del conforto e della mortalità.
Cinema has seen its share of Phantom of the Opera adaptations, and yet Dario Argento’s cacophonous telling entirely renews the veracity of a classic tale. Released in the U.S. as Terror at the Opera, this revision moves to beyond the rules of 1980s horror to a realm of pure, ecstatic terror.
Following Suspiria, Argento invoked the power of witches once more with this loose continuation (and part of the “Three Mothers” trilogy)—a fever dream crosscut between haunting synchronicities in New York City and Rome. Like its illustrious predecessor, Inferno is another irresistible nightmare.
From Italian master of the macabre Lamberto Bava (son of the great Mario Bava), and co-written and produced by Dario Argento, this film in true 1980s horror fashion turns on pop culture (here, the movies) attacking the audience. Soundtrack by Claudio Simonetti.
Dario Argento united with his daughter for this unusual family giallo collaboration which finds Asia as a young policewoman afflicted by the titular disease: art’s masterpieces have a mesmeric, transportive effect on her. A rabbit hole of total ruin and horror ensues. Not for the faint of heart!