From Catherine Grant:
One of the elements that Film Studies For Free appreciates most about online audiovisual film studies (film studies in digital video forms) are the phenomenological possibilities they offer viewers for the experiencing of moving image and sound juxtapositions in real time. We can synchronously feel, as well as know about, the comparisons they make. In other words, unlike written texts, they don't have to remove themselves from film-specific forms of meaning production to have their knowledge effects on us.
Embedded above is FSFF's homemade example of this kind of simple, more or less medium-specific, eloquence: a real-time video juxtaposition, made for the purposes of scholarly comparison, of corresponding sequences from the silent and sound versions of Alfred Hitchcock's Blackmail (1929). It is a work intended to supplement the contribution of an earlier blog entry here, entitled "Thrilling the Ears: Sound in Hitchcock's Cinema" in which the two sequences were separately embedded.
Carry on reading.
Related viewing. A mischievous sound test: